Date:

May 29 @ 6:00 pm

The Ruins Events, 13 Railroad St, Hood River, OR, 97031

https://www.google.com/maps/search/?api=1&query=45.7086442%2C-121.5093806

Allison de Groot + Tatiana Hargreaves w/ Beard & Banjo *Ticketed Show*

May 29 @ 6:00 pm

Weds. 5/29/24 at The Ruins. Doors at 5:30pm. Show starts at 6pm and will be in the Grotto Bar.
Tickets are $15 in advance or $20 at the door.

(Please note: Advance purchase tickets stop being available at 11:59pm the night before the show and then are only available at the door on the day-of, if any remain. No pets allowed.)

On clawhammer banjo, Allison de Groot has become a significant voice in the North American traditional, Americana and roots music scenes. Her style is adventurous and grounded, and No Depression writes it “transports the listener to a different plane”. Starting out on banjo in her hometown of Winnipeg, MB, Allison’s grown into a career of exciting collaborations and continued musical exploration. She has performed and recorded alongside some of the most renowned traditional musicians in North American and Europe and was nominated by the Americana Music Association for 2023 ‘Instrumentalist of the Year’.

Collaboration is at the centre of Allison’s music. Her duo with fiddler Tatiana Hargreaves has been described by Bandcamp Daily as “one living, breathing organism”. Allison and Tatiana create a sound that is adventurous, masterful, and original. They expand on the eccentricities of old songs, while never losing sight of what makes them endure. Their latest release ‘Hurricane Clarice’ won two Canadian Folk Music Awards and was nominated for ‘Traditional Album of the Year’ at the Juno Awards.

Alongside bandmates Tatiana Hargreaves, percussive dancer Nic Gareiss and legendary fiddler Bruce Molsky, Allison has performed at festivals such as Newport Folk Festival, Pickathon, Red Wing Roots, Winnipeg Folk Festival, Hardly Strictly and Celtic Connections. For a second year in a row, Allison and Tatiana are working in the Celtic Connections Transatlantic Sessions house band led by Jerry Douglas.

Over the past decade, Tatiana Hargreaves has been on the forefront of an up and coming generation of old time, bluegrass and new acoustic musicians. From placing first at the Clifftop Appalachian Fiddle Contest, to her bluegrass fiddling on Laurie Lewis’ GRAMMY-nominated album The Hazel And Alice Sessions, Hargreaves shows a musical fluency that flows between old time and bluegrass worlds with ease. She has toured with musicians such as Dave Rawlings, Gillian Welch, Laurie Lewis, Darol Anger, Bruce Molsky and Jake Blount. She currently tours with banjo extraordinaire Allison de Groot and teaches bluegrass fiddle at the University of North Carolina in Chapel Hill.

Tatiana’s duo with Allison de Groot has been described as a “can’t-miss pair in 2019,” by Paste Magazine, and their rendition of Alice Gerrard’s song “Beaufort County Jail” was included in Rolling Stone Country’s “10 Best Country and Americana Songs to Hear.” Their album on Free Dirt Records is a powerful opening statement and “dives deep into the old-time style and comes up with something wonderfully fresh” (Vinyl District). De Groot & Hargreaves create a sound that is adventurous, masterful, and original, as they expand on the eccentricities of old songs, while never losing sight of what makes them endure. The duo not only showcases impressive musicianship, but reflects on which voices we seek to hear as we explore the expansive, diverse canon of American roots music. Their self-titled album released in 2019 was nominated for IBMA Liner Notes of the Year.

Tatiana’s band “Hard Drive” features Sonya Badigian, Aaron Tacke and Nokosee Fields and incorporates a combination of old-time, bluegrass and Texas fiddle repertoire. From brother duets to raging fiddle tunes, Hard Drive brings a sense of deep intuition and silliness to the world that encompasses old-time, country, and bluegrass. The Bluegrass Situation described the band as “a delightful subversion of our expectations of what traditional bluegrass is supposed to be.”

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